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Play Me, I’m Yours Austin – Piano No. 10, photo 10 – Apr 18, 2010


Image by Ed Yourdon
Note: for some reason, this photo was published in a May 16, 2011 "Reggae Festival blog, with the same caption and detailed notes that I had written on this Flickr page.

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This photo was taken of the piano located at the top of Doug Sahm Hill, looking out toward the river and the skyline of downtown Austin in the background.

When I reached the piano, I found another photographer, and two gymnasts who were somehow involved in the weekend reggae festival that had been held in the large park at the bottom of the hill. There was also a large map of Texas inlaid in the stone at the top of the hill, so that you could see how far it was from Austin to other Texas cities like Fort Worth, San Antonio, and Houston. But nobody was playing the poor, lonely piano; it just sat there, atop Doug Sahm Hill.

I know what you’re going to ask: who the heck is Doug Sahm, and why should we care? Well, for what it’s worth, this Wikipedia article tells us that Mr. Sahm (who died in 1999) was a San Antonio-born musician who became a significant figure in blues, rock and other genres. He is considered one of the most important figures in Tejano music, and was the founder and leader of the 1960s rock and roll band the Sir Douglas Quintet. He played later with Augie Meyers, Freddy Fender and Flaco Jimenez in The Texas Tornados, and also in Los Super Seven supergroup.

So now you know.

*******************************************

A few years ago, a British artist by the name of Luke Jerram came up with the intriguing idea of spreading pianos around the city, with an open invitation for anyone nearby to wander up and begin playing something. Anything. He started in London, and has subsequently brought his festival — known as "Play Me, I’m Yours" — to some 19 cities around the world, including such varied cities as Moscow, Sydney, São Paulo, Barcelona, Bristol, Bath, Birmingham, Cincinnati, San Jose, and Pécs.

And then New York City — which is where I heard about it, in June 2010. Sixty pianos were donated, painted, and "installed" throughout the five boroughs of New York; you can see the locations here. Over a period of two weeks, I managed to visit every single one of the pianos — except for two in Queens, which had been vandalized and removed before I could get to them — and photographed them all in this Flickr set

I had such a good time with the New York pianos that I checked Luke’s website periodically to see what plans he had for 2011. I learned that he was planning a festival in Adelaide, but that was too far away; and he was planning a festival in Geneva, but the date conflicted with some other plans I had made. I heard that he was considering Salt Lake City, but then it turned out that he actually scheduled a festival in Austin, TX for the month of April — so that’s where I decided to go.

You can see the details of the Austin festival at this Internet site, but the first thing I noticed was that it would be much smaller than the one in New York: only 14 pianos, most within walking distance of one another, and several of them located along the river that runs through the center of the city. As with New York, one of them had been vandalized and removed before I got to it; I heard that a replacement piano was being brought in, but I had only four days in Austin before I had to return home, and I never had a chance to see if it actually arrived. There was also one piano that I simply could not locate: it was supposed to be located on a hiking path in the midst of a wooded area in a rather strange area of on-ramps and off-ramps of the MoPac Expressway, but despite repeated references to two different Google maps on my iPhone (one showing exactly where I was standing, and another allegedly showing me where the mysterious piano was located), I never did track it down.

As for the pianos that I did find: like New York, it turned out that roughly 2/3 of them were sitting empty and alone when I got to them. In several cases, I sat there for half an hour or an hour, waiting for someone to show up and start playing something … but nobody did. So there were only five pianos where I could actually listen to people playing music; and for each of them I made video recordings with my Sony Alpha 55 camera, and used Apple’s iMovie program to clean up the videos and make them more presentable. In order to make them accessible on Flickr, I kept them all very short: Flickr only allows 90 seconds of video for an individual clip. I was also hoping to get some good HDR shots of the pianos at sunrise and sunset … but nobody else gets up at sunset to play the pianos on public display, as I discovered on my first dawn excursion in Austin.

While I was there, I couldn’t help taking some additional photos of the people in Austin as they enjoyed themselves in their canoes and rafts and paddle-boats out in the river. Those photos have nothing to do with pianos or the "Play Me, I’m Yours" festival, so I’ll be placing them in a separate Flickr set.

So now I’ve done two cities … and I think I’m done. It’s been great fun, but it’s time-consuming and expensive to venture off to a strange city for the single purpose of photographing a bunch of pianos … which, alas, turn out to be unoccupied most of the time. Indeed, even if the "Play Me, I’m Yours" festival comes back to New York City at some point in the future, I think I’ll skip the pianos located in Queens, Staten Island, Brooklyn, and the Bronx — most of the action is in Manhattan, and that’s a lot easier to deal with, logistically.

But if you haven’t seen this festival, I urge you to check Luke Jerram’s website periodically, and see whether he might be bringing his festival to your town. If so, take a look at the map, and you can probably figure out which pianos are likely to visited by lots of people — e.g., in New York, it doesn’t take a genius to guess that Times Square is going to get a lot more visitors than a piano in a remote corner of Van Cortlandt Park in the Bronx. Once you’ve got this figured out, go spend some time watching the action; chances are you’ll be amazed and delighted by the variety of people who wander by, do a double-take when they see a piano that they had not expected to see, and then sit down to start playing …

If there’s a "Play Me, I’m Yours" festival coming to your city, and you think there might some interesting opportunities for photos or videos, drop me a note and let me know. I might drop in and say hello…

Play Me, I’m Yours Austin – Piano No. 10, photo 6 – Apr 18, 2010


Image by Ed Yourdon
Note: for some reason, this photo was published in a May 16, 2011 "Reggae Festival blog, with the same caption and detailed notes that I had written on this Flickr page.

********************************************

This photo was taken of the piano located at the top of Doug Sahm Hill, looking out toward the river and the skyline of downtown Austin in the background.

When I reached the piano, I found another photographer, and two gymnasts who were somehow involved in the weekend reggae festival that had been held in the large park at the bottom of the hill. There was also a large map of Texas inlaid in the stone at the top of the hill, so that you could see how far it was from Austin to other Texas cities like Fort Worth, San Antonio, and Houston. But nobody was playing the poor, lonely piano; it just sat there, atop Doug Sahm Hill.

I know what you’re going to ask: who the heck is Doug Sahm, and why should we care? Well, for what it’s worth, this Wikipedia article tells us that Mr. Sahm (who died in 1999) was a San Antonio-born musician who became a significant figure in blues, rock and other genres. He is considered one of the most important figures in Tejano music, and was the founder and leader of the 1960s rock and roll band the Sir Douglas Quintet. He played later with Augie Meyers, Freddy Fender and Flaco Jimenez in The Texas Tornados, and also in Los Super Seven supergroup.

So now you know.

*******************************************

A few years ago, a British artist by the name of Luke Jerram came up with the intriguing idea of spreading pianos around the city, with an open invitation for anyone nearby to wander up and begin playing something. Anything. He started in London, and has subsequently brought his festival — known as "Play Me, I’m Yours" — to some 19 cities around the world, including such varied cities as Moscow, Sydney, São Paulo, Barcelona, Bristol, Bath, Birmingham, Cincinnati, San Jose, and Pécs.

And then New York City — which is where I heard about it, in June 2010. Sixty pianos were donated, painted, and "installed" throughout the five boroughs of New York; you can see the locations here. Over a period of two weeks, I managed to visit every single one of the pianos — except for two in Queens, which had been vandalized and removed before I could get to them — and photographed them all in this Flickr set

I had such a good time with the New York pianos that I checked Luke’s website periodically to see what plans he had for 2011. I learned that he was planning a festival in Adelaide, but that was too far away; and he was planning a festival in Geneva, but the date conflicted with some other plans I had made. I heard that he was considering Salt Lake City, but then it turned out that he actually scheduled a festival in Austin, TX for the month of April — so that’s where I decided to go.

You can see the details of the Austin festival at this Internet site, but the first thing I noticed was that it would be much smaller than the one in New York: only 14 pianos, most within walking distance of one another, and several of them located along the river that runs through the center of the city. As with New York, one of them had been vandalized and removed before I got to it; I heard that a replacement piano was being brought in, but I had only four days in Austin before I had to return home, and I never had a chance to see if it actually arrived. There was also one piano that I simply could not locate: it was supposed to be located on a hiking path in the midst of a wooded area in a rather strange area of on-ramps and off-ramps of the MoPac Expressway, but despite repeated references to two different Google maps on my iPhone (one showing exactly where I was standing, and another allegedly showing me where the mysterious piano was located), I never did track it down.

As for the pianos that I did find: like New York, it turned out that roughly 2/3 of them were sitting empty and alone when I got to them. In several cases, I sat there for half an hour or an hour, waiting for someone to show up and start playing something … but nobody did. So there were only five pianos where I could actually listen to people playing music; and for each of them I made video recordings with my Sony Alpha 55 camera, and used Apple’s iMovie program to clean up the videos and make them more presentable. In order to make them accessible on Flickr, I kept them all very short: Flickr only allows 90 seconds of video for an individual clip. I was also hoping to get some good HDR shots of the pianos at sunrise and sunset … but nobody else gets up at sunset to play the pianos on public display, as I discovered on my first dawn excursion in Austin.

While I was there, I couldn’t help taking some additional photos of the people in Austin as they enjoyed themselves in their canoes and rafts and paddle-boats out in the river. Those photos have nothing to do with pianos or the "Play Me, I’m Yours" festival, so I’ll be placing them in a separate Flickr set.

So now I’ve done two cities … and I think I’m done. It’s been great fun, but it’s time-consuming and expensive to venture off to a strange city for the single purpose of photographing a bunch of pianos … which, alas, turn out to be unoccupied most of the time. Indeed, even if the "Play Me, I’m Yours" festival comes back to New York City at some point in the future, I think I’ll skip the pianos located in Queens, Staten Island, Brooklyn, and the Bronx — most of the action is in Manhattan, and that’s a lot easier to deal with, logistically.

But if you haven’t seen this festival, I urge you to check Luke Jerram’s website periodically, and see whether he might be bringing his festival to your town. If so, take a look at the map, and you can probably figure out which pianos are likely to visited by lots of people — e.g., in New York, it doesn’t take a genius to guess that Times Square is going to get a lot more visitors than a piano in a remote corner of Van Cortlandt Park in the Bronx. Once you’ve got this figured out, go spend some time watching the action; chances are you’ll be amazed and delighted by the variety of people who wander by, do a double-take when they see a piano that they had not expected to see, and then sit down to start playing …

If there’s a "Play Me, I’m Yours" festival coming to your city, and you think there might some interesting opportunities for photos or videos, drop me a note and let me know. I might drop in and say hello…

facebook.com itunes.apple.com www.myspace.com The Land by Mr. Diamond ft. VybRoc (Brighter Day Riddim) 2010 AVAILABLE ON ITUNES

DOWNLOAD THE FULL CD !!!!!!!!!!!!!! SOME WICKED VIBEZZZZZ KING MARKUS PRESENTS – STRICTLY LOVERS 2010 www.mediafire.com www.filefront.com 01 – Jah Cure – Before I Leave ( Cardiac Bass riddim ) 02 – Lutan Fyah – Ungrateful 03 – Alaine – Up 04 – Keida – 75 05 – Jah Cure – Every Corner I Turn ( City Life Riddim ) 06 – Queen Ifrica – Times Like These 07 – Sean Paul – Beat Of My Heart 08 – Elephant Man – Let Me Be The Man 09 – Jah Cure – Don’t Let Them Cry ( Good Ova Evil RIddim ) 10 – Cecile – Groupie 11 – Chuck Fender – Got Me To Love You 12 – Wayne Wonder – I Will Never Leave ( Just For You Riddim ) 13 – Pressure – Coming Back For You 14 – Lady Music – True Love 15 – Selena Serrano – Without You 16 – Busy Signal – Comfort Zone 17 – Tok – Say A Prayer ( Feelings Riddim ) 18 – Gentleman – Lonely Days 19 – Jah Cure – 2010 20 – Kris Kelli & Don Corleon – Moving On 21 – Kris Kelli – Sunshine ( Major & Minor Riddim ) 22 – J Boog – Lets Do It Again 23 – Tarrus Riley – Wildfire 24 – Morgan I – Jah Never Leave Me ( The Rivers Riddim ) 25 – Jashanna – Another Love 26 – Stephen Anthony – Don’t You Cry No More 27 – Brusco Ft I-Octane – Nuh Care ( Mama Africa Riddim ) 28 – Million Stylez – Jah Is Worthy 29 – Ms Trinity – Gone 30 – Jakob – Gimmi Lovin’ 31 – Maikal X – Lies 32 – Jah Cure – Protect You Like A Soldier ( Stronga Riddim ) 33 – Makeida – Really Love 34 – Gyptian – Never Give Up 35 – Chris Martin – Me & You 36 – Tenna Star – Time After Time ( Sail Di Boat Riddim ) 37 – Vivian …
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My iLike banner in march 2010


Image by Kutchala Sutchi
Photo and artwork by Stefan Meisel
Hear some songs of my new album Le temps du gorille at my iLike artist page.

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Shatta Youth long side Kwazy pun the Veteran Riddim, compliments of “Imperial Recording”
Video Rating: 4 / 5

Systema Solar is a musical-visual collective from the Caribbean coast of Colombia. It ‘s members, originating from a diversity of territorial and sonorous latitudes have found in the afro Caribbean vibrations a sea of possibilities to renovate the strength and spirit of Colombian music. The objective of the collective is to create audio-visual performances with their own style which they denominate the berbenautika. Influenced by the spirit of the Colombian piko culture (sound systems style performances), the members of the group come together to create, adapt and reinvent different music through improvisation, emphasizing the cult of joy and dance. They recycle the afro Caribbean and folkloric music of Colombia such as cumbia, bullerengue, porro and champeta and fusion these through electronic tools with contemporary rhythms and cultural styles such as hip hop, house, techno, breakbeat, breakdance, turntablism and live video performance. Systema Solar was created at the end of 2006 for a performance at the opening ceremony of the biennial of contemporary art of Medellin MDE07, since then, the group has presented itself all over Colombia and released its first CD in 2009 titled Systema Solar. Come and dance with us, Systema Solar!

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Video Rating: 5 / 5

Artist: Machel Montano Title: Thiefin Album: Album 34 Year: 2010 Genre: Soca Origin: Trinidad and Tobago